There is an authenticity to these characters. Even if they have got only a few lines to speak, they seem important to the narrative. Kanaa makes for an entertaining watch but you canРІР‚в„ўt deny itРІР‚в„ўs cliched. Though the team resist him at first, eventually, they realise only he can make them forget their differences and play as a team for the country. You canРІР‚в„ўt help but think of Shah Rukh KhanРІР‚в„ўs role in Chak De India here. He is inspiring, canny and profoundly hopeful. I think for the first time he has attempted something different without any of his trademark quirks. He is surprisingly subtle and does whatРІР‚в„ўs required for the role. In the second half, you see Sivakarthikeyan making his entry into Kanaa as Nelson Dilipkumar, a cricket coach. For a debut filmmaker, he has done a great job. However, Arunraja Kamaraj achieves a fine sense of balance in narrating parallel stories without one overshadowing the other. Kanaa touches upon the plight of farmers, the difficulty to repay loans, the rising tide of suicides among them, and how they are forced to bear the increasing burden of uncertainty.

The romance angle could have been stronger, but hey, I get it - women-centric film and all that. Murali Krishna (Darshan) pursues Kausalya, but she calls him РІР‚ВannaРІР‚в„ў, and you know where this goes. The first half takes its time to build-up, predictably. In particular, I quite liked the scene where Sathyaraj metamorphoses from a farmer into an advocate of womenРІР‚в„ўs rights. A big thumbs-up to Aishwarya Rajesh, who has convincingly pulled off Kausalya. There is humour and there are also several poignant father-daughter emotions all through. Kanaa explores various themes including gender inequality, the ethnic and regional prejudice besides sexism that revolves around womenРІР‚в„ўs cricket. Naturally, you root for Kausalya and want her to achieve her dreams.

She comes from a place that considers ambition as a dirty word for women. Instead he says, РІР‚СљIndha pass fail ellaam sambadhikkaravangalukku dhaanРІР‚В¦ saadhikkaravangalukku illa.РІР‚Сњ When Kausalya says she failed in her final exams, he doesnРІР‚в„ўt yell at her. He defends his daughter in her absence, and does everything possible to make her happy. You hold twelve weapons, the twelve 'paasa' and the 'ankusamum.He is, in fact, the ideal father that any girl would love to have. You who assumed Lordship over me, in your twelve hands Salutations are offered to the brave War Lord of the Devas in their battle against the Asuras. Salutations are offered to the brave Lord of Saravana Poykai, who is approaching on His vahana, the peacock.

Thus, He is also refered to as 'Lord Saravanabava'. Lord Muruga embodies the form of these six letters. The six letters of Lord Muruga's name (sa, ra, va, na, ba, va) are interchanged and their interplay gives rise to these rhythms of melody that accompany the graceful approach of the Lord on His peacock. Welcome Lord, whose forehead is adorned with sacred ash,Р”В¬ome every day, Lord of Sira Malai, Lord Velayuthan,Р”В¬ome quickly, Lord of Saravanabava, come now! Welcome You, who are in the mind of the loving tribal maiden, Valli, He who approaches me in slow and graceful steps,Р”В«eginning with Inthiran, the Devas of all the eight directions pay their obeisance to You Whose twinkling anklets produce melodious sounds He who fulfils the wishes of his devotees, Thisai Mannar Yenmar Seyalathu (Sernthangu) ArulvarР”Р‡or those who chant this Kandhar Sashti Kavasam.Р”Вedication to Lord Kumaran, who ended the woes of the Devas, Thanjam Yendradiyaar Thazhaithida Arulsey Mainthan Yenmeethu Unmanam Mahizhntharuli Yenai Thodarnthu Irukkum Yenthai Muruhanai Ri Ri Ri Ri Ri Ri Ri Ri Ri Ri Ri Ri Ri Ri RiР”Вu Du Du Du Du Du Du Du Du Du Du Du Du Du Du Ra Ra Ra Ra Ra Ra Ra Ra Ra Ra Ra Ra Ra Ra Ra Kaiyil Velaal Yenaik Kaakka Vendru Vanthu Nimalar Arul Kanthar Sashti Kavacham Thanai Nenjil Pathipporku Selvam Palithuk Kathithongum

Kanaa tamil movie review